Mélanie Laurent’s “Wingwomen” unfolds a narrative focusing on Alex and Carole, two adept thieves seeking liberation from their perilous criminal pursuits. The film masterfully combines elements of buddy-comedy and action-adventure, offering a genuine and multi-faceted depiction of the profound connection between the two female protagonists. Unlike the stereotypical portrayal of women as mere “badasses” in action films, “Wingwomen” explores their intricacies and vulnerabilities.
Carole and Alex, portrayed brilliantly by Adèle Exarchopoulos and Mélanie Laurent, boast remarkable expertise in their criminal endeavors but confront a challenging final heist assigned by their enigmatic boss, “Godmother,” brought to life by Isabelle Adjani. This task entails stealing architectural plans and weapons, culminating in the theft of a pop-art masterpiece known as “The Grand Odalisque.”
Laurent’s direction effectively captures the mesmerizing Mediterranean landscapes, and Antoine Roch’s cinematography does justice to the picturesque settings. The characters they encounter are uniquely idiosyncratic, avoiding the clichés often associated with action films.
Laurent’s commitment to authentic portrayals of female friendships is evident as her characters exhibit flaws and vulnerabilities, enriching the depth of their relationship. “Wingwomen” shines as an action-packed heist film that celebrates the importance of the bond between Carole and Alex, making it a truly enjoyable and distinctive addition to the genre, even if the conclusion leaves room for improvement. Visit myflixer for more!