“The Woman King” is primarily weighed down by a subplot involving an unruly young woman named Nawi (an appealing Thuso Mbedu), who is dumped at the palace by her family. With each scene, the subplot becomes even less convincing than the previous one. This causes the film to drag here and there. Mbedu injects grit and personality into the character, which is an obvious narrative contrivance. The character is a traditional naive person who needs to be educated and tested. Yogi is a ferocious warrior played by Lynch, who is fantastic and charismatic. Now serves as a proxy for the audience, who follow her lead as she is transformed into a fighter and learns from her mentor, Izogie, who is also a ferocious warrior.
Unfortunately, the script does not always live up to the quality of its singular source material or the confident and consistent direction provided by Prince-Bythewood. Certainly, if the writing were more nuanced and less bogged down by contemporary ideas about women’s roles — at one point, the movie shifts into a trauma-driven maternal melodrama — Davis would have significantly more to do than glower or dissolve in tears. She is skilled in both areas and brings the resoluteness that the part calls for, but the character isn’t developed in a particularly nuanced way. This is true even though when Nanisca raises her sword and rallies her women; you get a visceral sense of what is at stake in this conflict. Visit flixtor movies and myflixer movies to stream latest movies and tv shows for free.